Showing posts with label transfer sheet. Show all posts
Showing posts with label transfer sheet. Show all posts

Transfer Sheets

It wouldn't be Christmas without chocolate bark, right? 

Every year, I make at least one batch of bark. I like to try different inclusions and toppings (though I'm not sure anything will ever top the milk chocolate potato chip bark from a few years ago). As I thought about the bark for this year, I was focussed on using up some leftover gingerbread. I've always tried to be creative to avoid food waste, but in these days of inflation and shrinkflation, "waste not, want not" hits a little different. Have you seen the price of butter and sugar lately? I digress...

And so I blitzed up 75 grams of gingerbread (which was baked to more of a gingersnap texture) and added it to 400 grams of tempered dark chocolate. The result? Eight bags of gingersnap bark for giving this season. 

But I did make one deviation from my normal method. You see, with all of this reading I've been doing, I was reminded of transfer sheets -- plastic sheets decorated with cocoa butter. Using a transfer sheet was one of many decorating options in my professional chocolatier program years ago and so when I bought my school supplies, I ordered three from Golda's Kitchen in Ontario (which sadly no longer exists). I used one sheet (gold swirls) when capping one of the bonbons in my assignments. I used another (hearts) pre-pandemic on some Valentine's chocolate bark topped with cinnamon hearts. Long forgotten in storage, there was one remaining sheet. I pulled it out and spread the tempered chocolate on it. 

The result?

My gingersnap bark may look like any standard chocolate bark from the top, but the bottom is covered in tiny snowflakes. Sort of the "business in the front, party in the back" of the chocolate world.

One day, I hope to have custom transfer sheets with my name on them like Kate Weiser for capping my confections. 

Until then, what's your favourite flavour of bark this time of year? 









Getting Nutty With Fillings

Up until now, I've worked almost exclusively with dark chocolate in this professional chocolatier program (the exceptions were a ganache centre and a piped decoration). Considering many of my friends prefer milk chocolate, I was very excited when the opportunity to work with milk chocolate came about. I was required to make a molded chocolate with a nut-based centre that was decorated with a transfer sheet on the bottom. I chose to make gianduja, otherwise known as the original nutella.

Gianduja is a combination of hazelnut paste and couverture chocolate. I was excited to make it, because it would surely be delicious and because I had been meaning to try making nut butter in my food processor for a while now -- and it's the same basic process. I bought hazelnuts, roasted them, removed the skins by rubbing the nuts in a clean tea towel, and then put my KitchenAid to work. Everything I'd read noted that the process should take about 10 minutes, and sure enough at the 10-minute mark, the consistency changed and was just about perfect.

I melted my couverture chocolate and then combined it with the hazelnut paste. I was thrilled with the end result. Yes, it's a pale version of nutella (there's no cocoa powder added), but it tastes absolutely incredible. It started out very fluid, but as it sat and the chocolate began to crystallize, the texture thickened.

I then set about tempering my milk chocolate and preparing my mold. I decided to try a technique in which you combine luster dust with vodka and paint the mold before proceeding with the shelling process. It had a very different consistency from the cocoa butter I had used in an earlier chocolate and I determined that it was best used for a splatter-type of painting. After painting half of the mold and letting it dry, I shelled my bonbons, piped the gianduja into them, and then capped them using a transfer sheet, as per the assignment guidelines.

I must say, I had been a skeptic in regards to the transfer sheet. Perhaps it was a bit of snobbery on my part -- it's a piece of acetate that has been printed with a cocoa butter design that you apply to chocolate, so the end product isn't really "hand-decorated" unless you paint your own transfer sheets. When I ordered mine, I deliberately bought a golden swirl pattern because I've seen it on so many chocolates -- it's clearly popular and it looks good on milk chocolate. Using the transfer sheet in the capping process resulted in an absolutely perfect bottom on my chocolates -- and as one of my friends noted on facebook, Who doesn't love a perfect bottom? (In retrospect, that probably should have been the title of this blog post, but I'm not sure it would attract the right sort of attention.)

I think I would likely use this process in the future -- even with clear acetate -- just for the aesthetic appeal of the finished product. Alternatively, I could have custom transfer sheets printed with my name and brand everything I make the way that Kate Weiser does. I've no idea how much that would cost, but I'm sure I'll soon find out.

After all, I'll soon be in the business plan portion of this program.

Stay tuned!

Buying All The Things

I think I mentioned in an earlier post that I quickly realized when I started the Professional Chocolatier program that to get the most out of it and meet the standard set by instructors, tutors, and peers (which was higher than I'd initially anticipated), I felt I couldn't just "make do" with what I had. Instead, I decided to invest in a few additional tools and supplies. It's been an expensive few weeks, so I thought you might like to see what I purchased.

First, there's the chocolate. I was required to purchase 5kg (3kg dark, 1kg milk, 1kg white) for the course. I chose Callebaut, which I ordered from Ontario. Pictured is 4kg of the 5kg -- the other kilo has been melted and tempered four times during practice sessions and doesn't look as pretty.

I also was required to purchase a variety of chocolates for a tasting assignment that's coming up in a few weeks. And, now that I'm getting into this, I feel a compulsion to buy just about every different brand of dark chocolate that I stumble upon for research purposes. I don't think I've ever had this much chocolate in my apartment before.



Then there's the stuff to decorate the chocolate. The cocoa butter transfer sheets were required for an assignment. We were told to purchase as small a quantity as possible, but I wanted options so I ordered three instead of one. They are at least double the size I had anticipated. It's hard to see, but one has a gold swirl pattern, one has white snowflakes, and the third has red hearts.






The bottles of pre-coloured cocoa butter for painting chocolates were optional, but once I started developing my products through the first assignment, I felt like I had to have them. I bought white shimmer and ocean blue. Stay tuned.








Then there were a few additional purchases for the actual process of melting chocolate. First, a microwave safe bowl, since I couldn't confirm that the mixing bowls I already owned were indeed microwave safe (the sticker only said dishwasher).







Following my first tempering attempt, though, I realized I needed a new spatula that was silicone from tip to end, as well as a more flexible "bench scraper" for use on the marble. I found myself in the paint department buying a putty knife. It works beautifully.








Finally, I felt the need to buy professional chocolate molds. I already own a variety of chocolate molds for the home chef. These molds work perfectly fine for small batches of chocolate, but they typically aren't as deep as professional molds (making it more challenging to make filled centres). As well, professional molds are usually made of polycarbonate, rather than a more flexible plastic, and they result in a glossier finished surface. Because they don't have the "lip" usually found on the edge of the home versions, it's much easier to fill them and scrape the excess chocolate back into the bowl for reuse. I bought two for now, but I know that I'll be buying more in the future.

I also have to give a shout-out to two friends: Diane and Leanne. Diane gave me a small marble slab for Christmas, which has been critical for my tabliering sessions. Leanne just gave me a heat gun, which I'll use to keep my chocolate in temper while enrobing centres. I truly appreciate the support and will repay them with -- you guessed it -- chocolate!

I've also been very lucky that my mother likes to give me kitchen gadgets as presents. For example, I didn't have to buy a set of dipping forks because my mother gave me a set two years ago (long before I ever thought about taking this course).

I've found one more item that I desperately want to buy, but it's pricey. It's a small appliance for tempering chocolate and then holding it in temper while you work. I can't really justify the expense now, but I've decided that it may be a present to myself when I successfully complete the program.

So how about you? When you start something new, do you make do or do you buy all the things?